The treasures of the polish Baroque

Sacred works characteristic of the 17th and 18th century polish music.
Maciej Wronowicz (about 1645 – about 1700) „In dulci iubilo“
concerto a 3 for soprano, 2 violins and b.c.
Marcin Mielczewski (1590 – 1651) „Canzona prima a 2“ for 2 violins and b.c.
Jan Podbielski (about 1650) Dances: „Poznanie“, „Jeszcze Marczynye“, „Zakłołam szija tharnem ad unum saltum“
harpsichord solo
Anonymus (about 1740) „Date lilias, date rosas“
aria for soprano, violin and b.c.
Adam Jarzębski (about 1590 – 1649) Concerto quatro
arranged for theorbo, viola da gamba and b.c.
Stanisław Sylwester Szarzyński (about 1700) „Jesu spes mea“
concerto a 3 for soprano, 2 violins and b.c.
pause
Stanisław Sylwester Szarzyński „Veni Sancte Spiritus“
concerto for soprano, 2 violins and b.c.
Stanisław Sylwester Szarzyński Sonata D–major
2 violins and b.c.
Anonymus (about 1600) „Preludium and Canzona in F“
from „Warsaw Organ Tabulature“
harpsichord solo
Antoni Milwid (1755 – 1837) „Semper mi Jesu“
cantata for soprano, violin and b.c.
Adam Jarzębski „Berlinesa“
concerto a 3 for 2 violins, viola da gamba and b.c.
Giovanni Battista Luparini (about 1700) „In martirio crudele“
cantata for soprano, 2 violins and b.c.

 

Instrumentation: soprano, 2 violins, chamber organ / harpsichord, theorbo, viola da gamba / cello
 
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